 Fossil (Bat), 1958 white ink on black paper, 12 x 19.75 in, 30.5 x 50.2 cm Cameron Nicole Klagsbrun Gallery is pleased to present an exhibition of work by Cameron (1922-1995), curated by Michael Duncan, George Herms, and Nicole Klagsbrun. This survey is the first solo gallery exhibition of artist, performer, poet, and occult practitioner, Cameron (Marjorie Cameron Parsons Kimmel). A maverick follower of the esoteric mysticism of Aleister Crowley and his philosophical group, the O.T.O. (Ordo Templi Orientis), Cameron was also an accomplished painter and draftsman and mentor to younger artists and poets such as Wallace Berman, George Herms, and David Meltzer. While enlisted in the Navy, she was assigned the tasks of drawing maps and working in a photographic unit, which led to attendance at art classes after being discharged. In Los Angeles, she became the wife and spiritual avatar of scientist and mystical thinker Jack Parsons (1914-1952), one of the founders of the Jet Propulsion Laboratory and an influential leader of the OTO. In the early 1950s, Cameron met the fellow LA artist and jazz enthusiast Wallace Berman who was fascinated by her artwork, poetry, and mystical aura. In 1955 Berman used his photograph of Cameron as the cover of his literary and artistic journal "Semina 1" and included in the issue a drawing she had made the previous year. The drawing became renowned when the police cited it as "lewd" and shut down Berman's 1957 exhibition at Ferus Gallery. After this experience, Cameron, like Berman, refused to show her art in commercial galleries. She remained, however, a crucial figure in the Berman circle. Cameron's romantic aesthetic and commanding persona prompted filmmaker Curtis Harrington to commemorate her output as a visual artist in "The Wormwood Star" (1955), a lyrical short film recording the art and atmosphere of her candlelit studio. Filmmaker Kenneth Anger cast her in a leading role opposite Anais Nin in his film "Inauguration of the Pleasure Dome" (1956). Despite the grim fatality of much of her writings, Cameron's artworks portray a fanciful, even wistful lyricism. In the early 1960s she corresponded with Joseph Campbell, citing her interest in his book "The Hero with a Thousand Faces," as well as in the fiction of Hermann Hesse and Isak Dinesin. Consumed by myth and the idea of protean growth, Cameron depicted the process of metamorphosis and transformation in hundreds of line drawings where ominous figures and landscapes emerge from uniformly striated, passionately articulated ink marks. Other gouache drawings and paintings depict mythic figures of her own creation engaged in ritualistic, symbolic acts. Exhibition: January 12 - February 10, 2007 Gallery hours: Tues-Sat 10am - 6pm Nicole Klagsbrun Gallery 526 W. 26th Street, Room 213 New York, NY 10001 Telephone +1 212 243 3335 Fax +1 212 243 1059 Email gallery@nicoleklagsbrun.com www.nicoleklagsbrun.com |
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